Union Members Play Big Part in Super Bowl Game Plan

Sunday is the first outdoor, cold weather site Super Bowl in the game’s 48-year history. The frigid weather in the weeks leading up to the game and expected temps in the 20s and 30s won’t stop the thousands of union members who are bringing you the game. On the scene at MetLife Stadium in the New Jersey Meadowlands or behind the scenes at many facilities in the Metro New York-New Jersey area, union members are making the nation’s national party day possible.

So, as a preview before you sit back, open a beverage and eat far too many snacks that are far from healthy, we introduce Sunday’s starting union lineup.

Of course, on the field, the Seattle Seahawks and Denver Broncos players are members of the NFL Players Association (NFLPA), and the men in the striped shirts are members of the NFL Referees Association.

The announcers, camera operators, technicians, field workers and other hardworking folks bringing the game to your flat-screened football cave or favorite Broncos or Seahawks bar include members of SAG-AFTRA, Broadcast Employees and Technicians-CWA (NABET-CWA), Electrical Workers (IBEW) and Laborers (LIUNA).

The annual over-the-top halftime show is a down-to-the-second, choreographed, on-the-field, off-the-field 12-minute extravaganza made possible by the skills of Theatrical Stage Employees (IATSE) and the American Federation of Musicians of the United States and Canada (AFM) and other performing artists. Anyone who takes in a show in the city likely will enjoy the talents of Actors’ Equity (AEA).

For the fans who head for the concessions, their hot dogs will be served and their beer will be drawn by men and women from UNITE HERE Local 100.

Away from the stadium, union members are making an impact, too. Folks taking the area’s huge mass transit system are being safely delivered to their destinations by members of the Transport Workers (TWU), Amalgamated Transit Union (ATU) and United Transportation Union (UTU).

A large number of the area’s hotels are staffed by members of unions of the New York Hotel Trades Council. Many of the firefighters, emergency medical personnel and other public service workers who are ensuring a safe and efficient Super Bowl week are members of the Fire Fighters (IAFF) and AFSCME.

Of course, the fans who flew in for the big game got there safely, thanks to aviation workers from the National Air Traffic Controllers Association (NATCA), Air Line Pilots (ALPA), Association of Flight Attendants-CWA (AFA-CWA), Transport Workers (TWU) and Machinists (IAM).

Also, a big thanks to AFT and NFLPA for raising awareness about human trafficking during large sports events such as the Super Bowl.

Image via @northjerseybrk on Twitter

Reposted from AFL-CIO NOW

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And the Grammy Goes to…the Minnesota Orchestra

During the 16 months the Minnesota Orchestra was locked out, it was often described as one of the best orchestra’s in the world. Sunday night, a little more than two weeks after the orchestra’s musicians—members American Federation of Musicians of the United States and Canada (AFM)—ratified a new agreement ending the lockout, the Minnesota Orchestra’s reputation as one of the world’s best was cemented with a Grammy award.

Facing competition from major orchestras around the world, including the Los Angeles and the Berlin philharmonics, the Minnesota Orchestra took the Grammy award for Best Orchestral Performance for its recording of “Sibelius: Symphonies Nos. 1 & 4,” conducted by Osmo Vänskä.

Principal cellist Tony Ross told the Minneapolis Star Tribune:

We’re all thrilled….It’s very difficult to win as a Midwestern orchestra. Most of the voters live in San Francisco, Los Angeles and Nashville. This [win] was for orchestral performance—it’s about quality onstage.

In a statement on the Minnesota Musicians website, Ross said:

The winning of a Grammy award for Best Orchestral Performance confirms where the Musicians and our leader Osmo Vänskä were as a symphony orchestra before the lockout. We were a great orchestra enjoying a special relationship with our music director, Osmo Vänskä, that brought worldwide acclaim to Minnesota. This is also why we need him to return and carry on with the projects and partnership that have brought this orchestra to great heights. We know this community deserves an orchestra of that level of distinction.

During the lockout, the musicians organized several area concerts that drew large crowds of supporters. One of the concerts included Vänskä, who spoke out against the lockout and who resigned in October as the lockout by orchestra management entered its second year. Because of the musicians’ community outreach and concerts, they received an outpouring of support from the local community and throughout the state and across the nation.

The recordings were made in May and June of 2012 and the lockout began in October 2012. The new agreement takes effect Feb. 1, and the orchestra will return to the stage beginning Feb. 7.

In other Grammy news, the band La Santa Cecilia that performed for delegates at the recent AFL-CIO Convention in Los Angeles received the Best Latin Rock, Urban or Alternative Album Grammy award for its “Treinta Días. The Los Angeles-based Mexican American band was named for Santa Cecilia, the patron saint of musicians.

Click here for a full list of winners; and don’t forget that along with the AFM members who took home Grammy awards, the musicians, dancers, stage and technical crews who made last night’s broadcast possible are highly skilled workers represented by several unions, including Theatrical Stage Employees (IATSE),Dancers’ Alliance, National Association of Broadcast Employees and Technicians–Communications Workers of America (NABET-CWA), SAG-AFTRA and others.

Photo from Musicians of the Minnesota Orchestra on Facebook

Reposted from AFL-CIO NOW

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Thanks, Justin Timberlake

Thanks to a new union contract, dancers in Justin Timberlake’s 20/20 Experience World Tour will be covered by a SAG-AFTRA Touring Agreement where performer earnings count toward pension and health benefits eligibility. The deal also provides touring companies with improved budget flexibility through direct negotiations with performers.

SAG-AFTRA President Ken Howard applauded Timberlake and the SAG-AFTRA dancers who worked to unionize the 20/20 Experience tour.

“This is a wonderful result for SAG-AFTRA members and Justin Timberlake. Justin was very open to signing the agreement and personally making sure the deal got done,” Howard said. “As a leading recording artist and actor, Justin’s support for his fellow SAG-AFTRA members in unionizing his tour was a key element in concluding this agreement. I thank him for taking the lead.”

This is the first time that member performers have successfully organized dancers employed on a specific tour under the SAG-AFTRA Touring Agreement. The agreement was previously utilized to cover touring back-up singers for James Taylor, Reba McEntire, Martina McBride, Blues Traveler, Josh Groban and Jefferson Starship.

Dana Wilson, a dancer for Timberlake, tweeted about the history-making agreement:

Lindsay Richardson, another dancer with Timberlake, posted her thoughts on Instagram:

Reposted from AFL-CIO NOW

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